I was interested in plants and nature at a young age, even
though I lived too far from London to study the subject in much detail. I was
so curious about the subject that I decided I wanted to learn about the animals
and plants of other countries as well as those of England. I decided to go to
Virginia because I had relatives there. I arrived in Virginia on April 23,
1712, and spent seven years there.
I’m embarrassed to admit that I didn’t work much on my study
of the nature of the country, though I did send some plant specimens and tubs
of soil to Mr. Dale of Braintree in Essex, a skilled apothecary and botanist. I
also sent him some observations of the country, which he shared with the late
William Sherard, one of the most famous botanists of the age.
I met Mr. Sherard when I returned to England in 1719, and he
advised me to take on this current project.
I left England again in 1722, headed for Carolina. Though
Carolina has been inhabited by English above an age past, and though it is a
country with great fertility and biodiversity, little is known about its
natural products beyond what is related to commerce, such as rice, pitch, and
tar.
I arrived in Carolina on the 23rd of May 1722,
after a pleasant though not a short passage. During our voyage we were
frequently entertained with diversions not uncommon during crossing the
Atlantic Ocean – catching sharks, striking porpoises, dolphins, bonitos,
albacores, and other fish – and we feasted on the last three whenever we caught
them. The sailors even liked the flesh of sharks and porpoises after they’d
eaten nothing but salt meats for a long time. We liked to watch the dolphins
chasing flying fish, which would eventually get tired – and their wings would
dry up – and they’d fall into the dolphins’ mouths, or get grabbed by birds in
the air.
The most remarkable sight was an owl that appeared hovering
over our ship midway between Africa and America, at a latitude of 26 degrees
north. These birds have short wings and are not capable of long flights – boys
like to run them down after the second or third flight. This owl made some
attempts to rest and then disappeared. The same day – March 22 – a hawk with
white head, breast, and belly appeared, and the next day some swallows, though
none tried to land on the ship. Now, hawks and swallows can fly a long way, but
that owl is surprising!
When I arrived at Charles Town, I was received by General
Nicholson, governor of the province. He and the other gentleman of the country
were hospitable and generous to me and greatly facilitated my work.
I found that Carolina had even more animals and plants than
Virginia. The inhabited parts of Carolina extend west of the sea about 60
miles, and almost the whole length of the coast, with is a level, low country.
I spent my first year exploring these parts, collecting and describing the
animals and plants. I then went to the upper, uninhabited parts of the country,
and continued at and about Fort Moore, a small fortress on the banks of the
Savannah River. This river runs from there about 300 miles to the sea, and is
about the same distance from its source in the mountains.
I was delighted to discover that the nature in these upper
parts was different, and I found an abundance of things not to be seen in the
low country. This encouraged me to take several trips with Indians higher up
the rivers, toward the mountains. I found both new plants and delightful views,
as well as the diversion of hunting buffalo, bears, panthers, and other wild
beasts.
On these excursions I employed an Indian to carry my box, in
which, besides paper and materials for painting, I put dried specimens of
plants, seeds, etc., as I gathered them. I am much indebted to the hospitality
and assistance of these friendly Indians. I subsisted on what they shot, and at
the approach of rain they would immediately build a bark hut to keep me and my
cargo from getting wet.
With plants, I was principally interested in forest trees
and shrubs, showing their uses for building, food, agriculture, food, and
medicine. I was also interested in plants that would survive in our English
climate. I’ve been growing some of these at Mr. Bacon’s in Hoxton, and many
have withstood several winters without protection.
I focused on birds because there are more of them than any
other animals, and they have beautiful colors, and they most often have
relationships with the plants on which they feed and frequent. I did this
instead of promiscuously describing insects and other animals, which would have
forced me to omit some birds; as it is, I think I covered most of them.
The beasts are not very different from those in the old world.
I’ve described the ones that are, except for those described by other authors.
Of snakes, I believe very few have escaped me. I showed my
sketches to several of the most intelligent people, and many of them confessed
not to having seen them. None said they had seen any other kinds.
For fish, I only described five or six from Carolina,
leaving the rest for the Bahamas, which don’t have many quadrupeds of birds.
Though I’d often been told that these fish were very remarkable, I was still
surprised to see how lavishly nature had adorned them with marks and colors.
As for insects, these countries abound in numerous kinds,
but I was not able to describe a great number for the reasons I’ve already
given.
I spent almost three years in Carolina and the adjacent
parts, which the Spanish call Florida – particularly the province recently
named Georgia. Then I went to Providence, one of the Bahama Islands, at the
invitation of Governor Charles Phinney, who showed me much hospitality and
kindness. From there I visited many of the adjacent islands, particularly
Eleuthera, Andros, Abacos, and other neighboring islands. Though these rocky
islands produce many fine plants, which I have described in this book, I was
mainly interested in the fishes, few of which had previously been described by
any author.
Both in Carolina and on these islands I made successive
collections of dried plants and seeds, and in these islands I collected many
marine objects such as shells, corallines, fruitices marini, sponges, astroites,
etc. These I sent to my curious friends, most particularly (as I had the
greatest obligations) to that great naturalist and promoter of science Sir Hans
Sloane, Bar., to whose goodness I attribute much of the success I had in this
undertaking.
I wasn’t trained as a painter, and I hope you will excuse my
faults in perspective. In any case, I believe that paintings done in a flat but
exact manner might serve the purpose of natural history better than a bolder,
more painter-like style. I drew the plants when they were fresh and just
gathered. Most of the animals I painted while they were alive (except a very
few), and gave them the gestures peculiar to them. Where possible I depicted
the birds with the plants on which they fed or had any relation to. Fish that
do not retain their colors out of water I painted at different times, having a
succession of them procured while the earliest lost their colors (though of
course I couldn’t do this for all fish, some of which I saw only one or two).
Reptiles will live for many months without food, so I had no difficulty
painting them while living.
When I returned from America in 1726, I had the satisfaction
of having my labors approved of. I was honored with the advice of several of my
sponsors, who thought my images worth publishing but believed that the expense
of engraving them would be too high. So I changed my original plan, which had
been to have them done in Paris or Amsterdam. Instead, I studied with the
inimitable painter Joseph Goupy, and learned how to etch. Unlike most engravers
I did not use cross-hatching, and instead depicted the lines of the feathers –
which is more laborious and I hope more accurate.
Images of animals and plants with their proper colors are
much more informative than the most exact descriptions. For that reason, I have
kept my descriptions short, but I hope sufficient to avoid confusion.
I have given the plants their English and Indian names. Dr.
Sherard helped with the Latin names.
Very few of the birds have native names, except for a few
with Indian names, so I’ve named them after European birds in the same genera,
with additional epithets to distinguish them. The males of most birds are more
elegantly colored than females, so I have generally depicted only the cocks and
added a short description of hens where they differ from cocks.
For paints, especially greens, I used those that most
resembled nature and were durable. But I must point out that plants have
different colors at different times of the year. In the spring the woods and all
plants in general are more yellow and bright; as the summer advances the greens
grow deeper, and nearer their fall they are of a darker and dirty color. So any
difference in color between a painting and a real plant may be due to this
cause.
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